COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

PROGRAM NOTE

Lichtweg/Lightway is a wind ensemble pieced based on the Keith Sonnier’s light installation in Connecting Level 03 in Terminal 1 at the Munich Airport. Bright fluorescent neon lights line the walls of a typical airport walkway to both guide travelers to where they are going and to help them cope with the stress of being in transit. In this piece I musically portray the rhythmic placement of red and blue light emanating from this neon installation by creating a constant eighth-note ostinato that is heard throughout the piece. Just as the panes of glass, mirrors, and aluminum sheets refract and scatter the colorful neon light, this ostinato is diffused amongst the different colors in the ensemble.

COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

PROGRAM NOTE

Lichtweg/Lightway is a wind ensemble pieced based on the Keith Sonnier’s light installation in Connecting Level 03 in Terminal 1 at the Munich Airport. Bright fluorescent neon lights line the walls of a typical airport walkway to both guide travelers to where they are going and to help them cope with the stress of being in transit. In this piece I musically portray the rhythmic placement of red and blue light emanating from this neon installation by creating a constant eighth-note ostinato that is heard throughout the piece. Just as the panes of glass, mirrors, and aluminum sheets refract and scatter the colorful neon light, this ostinato is diffused amongst the different colors in the ensemble.

COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

PROGRAM NOTE

Lichtweg/Lightway is a wind ensemble pieced based on the Keith Sonnier’s light installation in Connecting Level 03 in Terminal 1 at the Munich Airport. Bright fluorescent neon lights line the walls of a typical airport walkway to both guide travelers to where they are going and to help them cope with the stress of being in transit. In this piece I musically portray the rhythmic placement of red and blue light emanating from this neon installation by creating a constant eighth-note ostinato that is heard throughout the piece. Just as the panes of glass, mirrors, and aluminum sheets refract and scatter the colorful neon light, this ostinato is diffused amongst the different colors in the ensemble.

COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

COMMISSIONED

Georgia Tech Concert Band, Ting Chaowen, Conductor

FIRST PERFORMANCE

November 19, 2017 by the Georgia Tech Concert Band in Atlanta, GA. Chaowen Ting, conductor.

ENSEMBLE

Flute 1 & 2, Oboe 1 & 2 B-flat Clarinet 1, 2, & 3, Bass Clarinet, Bassoon 1 & 2, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet 1, 2, & 3, 4 Horns in F Trombone 1 & 2, Bass Trombone, Euphonium, Tuba, Timpani, 3 Percussion*

*Marimba, Vibraphone, Snare Drum, Tubular Bells, Triangle, Suspended Cymbal, Bass Drum

DURATION

6 minutes

Jennifer Jolley

Composer, Blogger, Professor Person

Sounds from the Gray Goo 2.1

FIRST PERFORMANCE

April 14, 2011 at the Cohen Family Studio Theater

ENSEMBLE

2+ clarinets

DURATION: The duration is at the discretion of the performers, so the duration of each performance will vary.

PDF SCORE/PART $5 (per copy)

PDF SCORE/PART CLARINET ENSEMBLE PACKAGE $25 (unlimited copies for your ensemble)

PROGRAM NOTE

After witnessing my first experiment for percussionist plus laptop performer, clarinetist Rebecca Danard wanted me to write a laptop improvisation piece for her, so I eventually did.

Rebecca suggested that we work with pentatonic scales for our improvisation, so I created ten cells of notes (ranging from low to high) based on four Japanese pentatonic scales, then I recorded Rebecca improvising with the notes of these cells—all forty of them. The recordings of these improvisations were then electronically processed; this is included in the second clarinet part.

I adapted this version (SftGG 2.1) for (acoustic) clarinet ensemble.