“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
“I was asked by the Left Coast Chamber Ensemble to write a piece that imagines the Brahms’ B Major Trio being heard through the looking glass, and all I could hear were cats.
“Let me explain: there was a time when Johannes Brahms signed his musical works with the moniker “Johannes Kreisler,” a fictitious composer found in E.T.A. Hoffmann’s novel “The Life and Opinions of the Tomcat Murr.” In this novel, a printer’s error accidentally splices and mixes the Tomcat Murr’s autobiography — yes, an autodidact cat wrote his own autobiography — with a book about the composer Johannes Kreisler, and the reader has a hard time figuring out who is the cat and who is the composer.
“And if one cat isn’t enough, at the beginning of “Through the Looking-Glass,” Alice is playing with her kittens Snowdrop and Kitty, one of which is behaving badly (it’s the black one), right before she steps through that infamous looking-glass.”
That was enough to pique my interest and so I was keen to hear the Merida Trio perform this work last Wednesday as part of their concert in the Dame Myra Hess concert series, presented by Classical Music Chicago, at the Seventeenth Church of Christ, Scientist."
