Classical Discoveries (WPRB 103.3 FM)
From 7:00am - 10:00am, Classical Discoveries will include the recording of "Hope" is the Thing with Feathers, for soprano, flute, and guitar, by Jennifer Jolley, performed by Fotina Naumenko on her new album "Bespoke Songs."
Ic2us with Jennifer Jolley
Today’s episode of Ic2us features composer, conductor, and professor Jennifer Jolley. Her work is founded on the belief that the pleasures and excesses of music have the unique potential to engage political and provocative subjects. In this episode we discuss trying new things, different music from throughout the world, and ways to keep learning.
The Delaware Gazette
The Central Ohio Symphony concluded its 2023-24 season in May with another mesmerizing, unforgettable concert. On the ambitious program was a short composition by contemporary musician Jennifer Jolley and two grand works by Tchaikovsky and Rachmaninov.
"The composition is vivid and vigorous. There is no storyline per se. The narrative consists of elongated “colorful” sounds evoked by the lights as they come into view and then fade again, superseded by new vistas. The 4-beat rhythm remains deliberate and steady throughout, suggesting intentional, uninterrupted journeying. The light images are not meant to be obtrusive or distractive. On the contrary, as the composer noted, they are meant to guide the travelers and lead them to their correct destination."
Old Time Music
"As I listen to “You Are Not Alone,” I am reminded of my own experiences and those of countless others who have faced similar challenges. The song captures the conflicting emotions of feeling both supported and abandoned by society. It reflects the pain of being told to smile more and conform to societal expectations, while also recognizing the courage it takes to stand up and say no."
WSHU Public Radio
With The Ferry Crossing, Jennifer Jolley takes on a trip across Lake Champlain to Burlington, Vermont complete with horns guiding the ship into the harbor, during our music this evening. Tune in at 8 p.m. on 91.1 and 107.5 FM and our music stream.
Composer Chats with Jason Nitsch
Listen in as Jason welcomes composer Jennifer Jolley to the podcast! Jennifer Jolley (b. 1981) is a composer, conductor, and professor person. Her work is founded on the belief that the pleasures and excesses of music have the unique potential to engage political and provocative subjects. Addressing a range of topics such as climate change, #MeToo, feminist history, and the abuses of the Putin regime, Jennifer strives to write pieces that are equally enjoyable and meaningful.
Pete's Percussion Podcast
Following a brief mention of #tenurejosh…Composer, Conductor, and Professor of Composition at Lehman College (NY) Jennifer Jolley stops by to talk about her Fulbright Scholarship in Egypt, her teaching schedule there, Ramadan, and names (04:25), her receiving the Opera America Grant, her previous attempts at writing opera, getting commissioned...and so much more.
The Strad
Primavera II: The Rabbits is the second instalment in cellist Matt Haimovitz’s projected cycle of six releases covering no fewer than 81 new commissions for solo cello (there are 14 here). They are based around both Botticelli’s 15th-century painting Primavera and Charline von Heyl’s contemporary response in Primavera 2020, with all the inevitable associations of the Covid pandemic and resulting social upheaval that those entail. That might well feel like a few too many threads of socio-cultural influence to weave together as a context for Haimovitz’s wide-ranging collaborations, and, indeed, the temptation is simply to listen and respond to the wealth of music here on its own terms.
The Delaware Gazette
On March 13, the Central Ohio Symphony continued its 43rd season with another remarkable concert. On the program were Jennifer Jolley’s “Motordom” and a concert presentation of Giuseppe Verdi’s “La Traviata.” First, however, came the rousing rendition of a short work that may have surprised some in the audience: the soaring State Anthem of Ukraine, which celebrates the freedom of the Slavic nation that once again is under attack by an autocratic dictator. Orchestras around the free world have rightly condemned the invasion by playing Ukraine’s national anthem and declaring their solidarity.
5 Questions to Jennifer Jolley (composer)
When you visit Jennifer Jolley’s website, the tagline says, “Composer. Blogger. Professor Person.”–a straightforward, quirky, and confident way to describe her work that perfectly encapsulates the tone of her personality, as well.
Gramophone
"The three contrasting works on ‘Shifting Directions’, the new recording by the Texas Tech University Contemporary Music Ensemble, run a total of 26 minutes, which raises a question: why not include more pieces by the represented composers – Joan Tower, Jennifer Jolley and Jennifer Higdon? All of their scores are vibrant, confirming that listeners would get a much bigger bang for their buck/dollar/pound/euro if the album had been at least twice as long."
"Jolley’s score anchors piano and vibraphone chords and undulating figures beneath motivic layers built by flute, clarinet, bass clarinet and alto saxophone."
NewMusicBox
“I know that Quince’s second album made our list last year, but to me their latest (Motherland) is, to recontextualize Mao Tse Tung, a “great leap forward.” The centerpiece of this third Quince disc (featuring four recent compositions by four different women for unaccompanied female vocal quartet) is Jennifer Jolley’s Prisoner of Conscience, a substantive musical response to the 2012 trial and imprisonment of three members of the Putin-defying Russian punk band Pussy Riot. Though it was composed back in 2015, Jolley’s not-fit-for-radio-airplay, eight-movement cantata with spoken-word interludes is the ideal soundtrack and perhaps balm for our current “toxic” (to replay the Oxford Dictionary’s word of the year) times.”
The Strad
“Thankfully there’s plenty to enjoy – and to provoke and challenge, too, from the poise and granitic purity of Haimovitz’s own serious-minded multi-cello reimagining of the Kyrie from Josquin’s Missa Hercules dux Ferrariae through to the raucous, relentless workout of Jennifer Jolley’s Compulsive Bloom.”
American Record Guide
“Jolley’s `The Eyes of the World are on You’ is a reflection on people gunned down at the University of Texas in 1966 and the law Texas recently passed to allow guns on the state’s college campuses. The work begins with a plaintive lament from the English horn that slowly blossoms into the full ensemble. The effect is glorious. It is beautifully paced and one of the most memorable moments of this recording. The group plays with faultless intonation and exquisite control, especially the English horn and other soloists.”
AllMusic.com
“Jennifer Jolley's The Eyes of the World Are Upon You, also commissioned for the UT Wind Ensemble, drew inspiration from the state's decision to allow guns on college campuses on the 50th anniversary of the UT Tower Shooting. This work is fittingly heavy considering the tragedy, with sudden blaring ensemble sounds and a haunting siren call throughout.”
